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MultEQ XT32 can store and balance up to eight measurements, with 512-step filter resolution (which I can only guess is a lot). At least that’s the theory.ĭuring initial setup, the receiver guides you through the room calibration process. The latter uses advanced psychoacoustic algorithms to deliver full-range deep bass, yet curtail wavelength travel useful if you don’t want to annoy the neighbours unduly, or other family members. Room EQ is handled by Audyssey MultEQ XT32, coupled to Audyssey LFC (Low Frequency Containment). It’s totally flexible, and speaker terminals are colour-coded. Naturally it can also run 5.1.2, or a flatbed 5.1 or 7.1 speaker array. The SR6014 employs nine channels of amplification, which means it can be configured for 7.1.2 or 5.1.4 Dolby Atmos.
An intelligent HDMI Auto Input Rename function even saves having to manually label source devices. You really won’t need to scratch your head too hard when putting your system jigsaw together. The only thing missing is an S-Video input, but I'll forgive it that.ĪV receivers can be unfashionably challenging to install, but Marantz, like its stablemate Denon, offers a comprehensive graphical guide to simplify things. In short, there’s nothing you can’t connect to the SR6014, be it a 4K source or legacy games console.
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And then there's network operation covered by Ethernet and Wi-Fi, plus Bluetooth (hi-res audio support covers FLAC, ALAC and WAV to 24-bit/192kHz, plus DSD 2.8MHz/5.6MHz). Need more inputs? Marantz also throws in three analogue video ports and two component inputs, with corresponding outputs. There’s also an IR flasher input, in case you want to hide the AVR in a cupboard.
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Pro installations can take advantage of the RS-232C control port, and maybe the receiver's Crestron Connected protocol support.
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More unusually, this Marantz provides a full 7.1 phono analogue channel input bank, as well as pre-outs for front, centre, surround, surround back and height, plus two subwoofers (11.2). It sits alongside a USB port, setup mic jack, analogue AV inputs and a full-size headphone output.Īround the back again you'll also find four digital audio inputs (two coaxial and two optical), plus a fistful of analogue audio inputs, as well as an MM phono stage for turntable hookup. Low-resolution sources can be upscaled to UHD if you'd rather not leave this to your display.Īn eighth HDMI input is provided on the brushed aluminium front panel, behind a fascia trapdoor. The HDMI board (v2.0) is well specified, handling 2,160/60p with 4:4:4 sub-sampling, Dolby Vision and HLG compatibility, and BT.2020 passthrough.
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They’re partnered by a trio of HDMI outs, two of which can feed a TV and screen in a single room, with the third available for second-zone duties.
There are seven HDMI inputs, all user assignable and 4K HDCP 2.3-enabled. The rear panel is better connected than Richard Branson’s LinkedIn profile. This porthole may look cool, but its small size could prove problematic when viewing from a typical sofa distance. It’s awash with clever usability.Īvailable in black or silver-gold, the design is classically Marantz, with a curved front fascia and dual knobs for input and volume control flanking a circular display window. Positioned under the brand’s prestigious line of 'AV' class separates, yet within striking distance of ordinary mortals courtesy of its £1,250 price tag, it’s a home cinema hotshot that appears to offer everything.įor example, you don’t just get the standard immersive Dolby Atmos and DTS:X audio codecs, there’s also Dolby Atmos Height Virtualization, DTS Virtual:X and IMAX Enhanced certification. With a feature checklist as long as your arm, the SR6014 is the real-world star of Marantz’s 2019 AV receiver lineup.